As an artist…

With training and experience as a devising artist, immersive performer, intimacy choreographer, and director, I blend these approaches to craft dynamic and evocative storytelling.

Recent professional collaborations include works with Geffen Playhouse, La Mirada Theatre, and Pasadena Playhouse in Los Angeles; the Tank and Sinking Ship Creations in New York. I also continuously devise performance activism projects built to fuel community engagement and dialogue.

As an educator…

A Guiding Faculty for Theatrical Intimacy Education, I have trained theatre artists and educators across the US, the UK, Australia, and New Zealand.

Currently Associate Professor of Theatre at Cal State Fullerton but with a decade of experience teaching theatre in K-12 settings and directing youth theatre, I am passionate not only about ethical and equitable theatre education, but also about high quality professional development for theatre teachers and teaching artists.

Now Available: The Theatre Artist’s Guide to Consent-Based Pedagogy

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Now Available: The Theatre Artist’s Guide to Consent-Based Pedagogy 〰️〰️〰️

  • The Inheritance (2022): Intimacy Choreographer.

    directed by Mike Donahue at Geffen Playhouse

  • Women of Zalongo (2023): Intimacy Choreographer.

    an NEA grant-funded project directed by Kari Hayter at Santa Monica Playhouse

  • A Little Night Music (2023): Intimacy Choreographer.

    directed by David Lee at Pasadena Playhouse

  • Fefu and Her Friends (2023): Director and Intimacy Choreographer.

    an immersive production at the Golleher Alumni House

  • Project Ascension (2022): Consent Consultant and Performer.

    a pervasive game produced by Sinking Ship Creations in NYC.

  • a scene of group intimacy from the 2024 La Mirada Theatre production of Jersey Boys: The Story of Frankie Valli & the Four Seasons

    Jersey Boys (2024): Intimacy Choreographer

    at La Mirada Theatre, directed by TJ Dawson

  • Every Brilliant Thing (2023): Intimacy Director

    at Geffen Playhouse, directed by Colm Summers